Category Archives: Law of Swords Series

In Forgery Divided, Two Months In

It’s been (very roughly) two months since In Forgery Divided‘s release, and I thought I would do a little comparison and contrast for the sales between it and it’s predecessor, In Treachery Forged.

First, a few differences in how the releases went:  When I released In Treachery Forged, it only took me one month to get the print book out.  Two months in and there still is no print edition for In Forgery Divided, and the biggest delay has been the cover.  (I just couldn’t bring myself to approve that cover.  I went back to my cover artist to see if he could help, and he’s sent me a “watered down” version that might not become quite so blacked out in print.  A new proof just arrived, and it actually looks like it’s supposed to.  I’ll have to make a quick check to make sure nothing odd has creeped into it since my last proof, but I should be approving it this week regardless).

The world has changed some; namely, taxes on eBooks in Europe have gone up significantly (they used to be a negligible sales tax; now they’re a 20% VAT tax)

Also, I attempted a few more new-release promotions, trying to get advertisements on Awesome Gang and another company (which I’m not linking to here; from what I can tell, they never showed my ad after agreeing to do so, negotiating a fee, and scheduling a date to show it.  They also never charged me, however, so I suppose it’s no harm, no foul).  I should also note I have twice as many Facebook followers, twenty more mailing list members, infinitely more twitter followers (I opened my twitter account for the first time a few months after In Treachery Forged’s release, so one person would be infinitely more), and… oh, yeah — this blog.

Some things remain the same.  The prices for both are identical at US$5.99, and I haven’t (for either book) run any price promotions; I will note that some portion of oversees books (mostly in Europe) will cost readers more because of the aforementioned changes in tax laws.  Both times, I submitted the cover to the Monthly Indie eBook Cover Design Awards (one difference:  For In Treachery Forged, I was able to submit the cover such that, by a fluke, it was shown by these awards during its first month of release.  For In Forgery Divided, however, it only showed up on the awards well into the second month after publication).  Both books have been given wide releases; I have never availed myself of Amazon’s KDP Select marketing program because of the exclusivity demands.

With that out of the way…

Two months in, with In Forgery Divided, I had sold a total of 1,505 eBooks (and a lone print book, but we can ignore that for now).  Or, rather, I sold 1548 eBooks and had 43 returns for a net of 1,505.  Most of them (1,406 of these net sales) were purchased on Amazon.com’s US store.  I also had 8 net sales on Amazon.uk (curiously, I had 4 returns, so 1/3 of my gross UK sales were returned at that point — by far the largest percentage at the time.  This trend did NOT continue, but at the time I was wondering if something odd was was going on), 20 net on Amazon.de (Germany), 2 from Amazon.fr (France), 4 net from Amazon.in (India), 1 from Amazon.bs (Brasil), 26 net from Amazon.ca (Canada), 27 net from Amazon.au (Australia), 7 from Nook (two of these sales are not technically part of the 1,505 figure even though they did occur in the first two months; the explanation for why is too long and involved for here), and 6 from Smashwords.  (I may have sold as many as 3 additional copies through Apple iBooks via Smashwords during this period; those weren’t credited to my account for another month, however, so I couldn’t count them here. I now go to Apple directly, thanks to my brother owning an Apple computer).

Most of those sales didn’t start until the book was in its second week of sales, but when it started selling it went right up the charts.  I do not have screencaps, but in 2014, I had a few weeks in the top-50 (topping, for one day, in the top-20) on several genre list bestsellers.  At the peak on those lists, I was getting 50-100 sales a day.

I will note that those 1,505 sales were roughly half of my sales of In Treachery Forged prior to publishing In Forgery Divided (which sparked a resurgence of sales in the former).  Another thousand (roughly) were sold over the next four months, and since then the sales dropped to a mere trickle, selling a mere 500 copies over the next year and a half.  So, what my experience with In Treachery Forged suggests is that the “New Release” burst of sales, even when successful, only lasts about six months (to a degree, I saw the same pattern with The Kitsune Stratagem, but that book never had the sales of In Treachery Forged).  Ideally, I’d have another book out before then… but it took over two years for Book 2 to come out.  (I’ll try to be faster with Book 3)

Unsurprisingly (given that not everyone who buys the first book of a series will buy its sequels… especially after a two year wait), sales for In Forgery Divided have not been as strong (on their own, anyway; as I said, it inspired a resurgence in sales of In Treachery Forged, which is making up much of the difference).  They’ve been pretty good, however, considering how long it took me to get book 2 out.

In Forgery Divided’s sales started strong, with its heaviest day of sales occuring just a week and a half after it was published.  The totals for the (roughly) first two months of sales are as follows:

Total Gross Sales:  702 (note: Amazon gives you three different ways of checking your sales; your ranking on the sale page, a graph on your sales dashboard, and a full accounting of your “month-to-date sales.”  These all report at different rates; I’m using the month-to-date sales for these records, because it’s the only one of these that also lets me know about returns… but it’s also the slowest one to report.  I think I have somewhere between 3-5 more gross sales that haven’t been accounted for in this record, yet)

Total Net Sales:  694 (only 8 returns, total?  That’s a real improvement over In Treachery Forged’s initial release)

Net Amazon.com (US) Sales:  603

Net Amazon.co.uk (UK) Sales:  31

Net Amazon.de (Germany) Sales:  18

Net Amazon.fr (France) Sales:  1

Net Amazon.ca (Canada) Sales:  8

Net Amazon.au (Australia) Sales:  27

Net Smashwords sales:  2

Net Nook Sales:  3

Net Apple iBooks Sales:  1

Far fewer returns, even accounting for the fewer sales.  I guess people who read book I are less likely to return book II.

UK sales are much stronger (the UK did, eventually, become the #2 purchaser of “In Treachery Forged,” but for some reason most of those sales didn’t start coming in until four months after its release), and there are even small improvements to sales in Australia and Germany.

It’s only in the US (both on Amazon and with the other vendors) where my initial sales are significantly weaker.  And much of that gap is being compensated for by sales boosts for my other books — over the past two months, the boost in sales to In Treachery Forged can account for approximately five hunded eBooks sold, and even my unrelated novel, The Kitsune Stratagem, has had another twenty or thirty sales generated by the new book release.

I’m not really sure what to make of these numbers, just yet, but as time goes on and I get more data ponts to go on, these numbers might start to mean something.

In the meantime, I’d better keep writing — I want to know what effect Book III will have on sales.

Jury Duty! (And Some News on the Print Edition)

I was scheduled for Jury Duty this last Thursday. I didn’t think much of it, as I’ve been summoned for Jury Duty five times in 12 years (You aren’t supposed to be scheduled less than 3 years apart, so somewhere along the line I was summoned when I wasn’t eligible) but never had to report in person — a phone call the night before has always been enough to “fulfill my commitment” before. But I had to, this week, and that  took away a couple days I needed for my planned blog post for this weekend.  I do have some news, however.

Despite the jury duty issue, I was able to get in some work on the Print Edition of In Forgery Divided.  I made a few more tweaks to further lighten the cover, and I discovered a small section in the book block that I must have accidentally skipped my first trip through (again, these are all purely book-design issues; they aren’t even typos — the only problems I’ve found this round were where the kerning needed some very slight adjustments).

I’m uploading the corrected files tonight, and if there aren’t any problems then I MIGHT decide to skip the “order a new proof” step and print it after all.  I don’t know — I was burned trying that once — but I can’t think of anything I’m changing which would cause any unexpected problems.  (Then again, if I could think of something, it wouldn’t exactly be an “unexpected” problem, would it?)

I have something close to 24 hours to decide (from past experience, it takes roughly that long for Createspace to approve any files).  If you’ve got an opinion on this, you’ve got about that long to tell me.

So, there’s that.  Meanwhile, the more interesting post I had planned involving research, a travelogue done by a Monty Python alum, and more will be coming out next weekend… barring some other crisis, at least.

The Print Proof Has Arrived… But I’m Not Happy

Okay, so the print proof for “In Forgery Divided” has arrived (as of last Friday), several days ahead of schedule. It’s a huge book, and will take me some time to go through it: While not a true proofread in the sense most people use the term, I do have to look at every page and every line (I don’t have to actually read anything; I need to look at the first letter of each line, the kerning (space between words), the margins, the fonts, the widows and orphans, etc., just to make sure everything looks nice and legible).  I figure I’ll still be just half-finished when I get to Ravencon next weekend.

So why, as I said in the title, am I not happy with this fast service?  Well, there’s a defect, and I’m worried it’s symptomatic of a quality control issue that may force me to make a decision I’d rather not.

I wanted a matte finish cover; both of my previous books have been matte finish, and I like the look of matte finish covers (especially for Fantasy novels).  It was a great boon for self-publishers when Createspace started giving a matte finish option.

However, my cover arrived with a defect; the matte cover finish had a bubble in the lamination, leading to a discolored bar traveling from the top to the bottom of the front of the cover.

Now, I could let Createspace know about the defect, and from what I understand they’ll replace the book free-of-charge (at least, that’s what their reputation says; I haven’t needed to contact their customer service before).  I don’t really think I need to, however — this is a completely disposable copy that I’ll be marking up, anyway, so no big deal.

Except… I’m now hearing that this lamination issue is becoming increasingly more common with Createspace’s matte finish covers.  That worries me; I don’t want my customers buying defective books.  I don’t want to be buying defective books, either, when it comes to purchasing review, consignment, and giveaway copies.

So, I may have to consider a glossy cover, instead.  I need to order at least one more proof before I put it on sale (I learned you should never assume the electronic proof, even for the “second” proof, is accurate, after the cover for “The Kitsune Stratagem” turned out to be misaligned by less than a quarter of an inch after I was finished with the first proof, even though I never did anything to the cover.  So, from now on, if I make changes I order another proof), so maybe I’ll change it to gloss and see what I think.

There may not be a blog next weekend.  I will be attending Ravencon (my application was too late to be considered as a guest, but it’s always a fun and educational convention, regardless), so I probably won’t have time to post anything.

Edit:  I accidentally hit “post” instead of “save draft” when I was working on this on Friday.  Oops.  If you’re the one person who my statistics plug-in says saw this early, that’s why the post vanished on you.

Odds and Ends

I had three possible posts I was getting ready for today, but none of them are ready. So, I figured I’d do a quicker blog covering some odds and ends…

I.  Print Edition Progress

The Print Edition of In Forgery Divided is compiled and a proof has been ordered.  There are certain design issues that cannot be checked or corrected until I’ve recieved my print proof (for example, I need to know what the cover looks like with a matte finish; from past experience, I know there can be contrast issues that don’t show on a computer screen).  It should arrive just in time to have it with me while attending Ravencon.  (Probably a good thing I applied too late to be a guest, there — I’m probably going to be going through the proof while I attend panels).

Of note, I am breaking my own pricing policy with this book.  In my Self-Publishing Roundtable series, I note that most physical bookstores won’t agree to carry your book unless you charge enough for them to make a profit — another writer\blogger calculated that if you (the writer\self-publisher) are earning a $2 royalty per sale in expanded distribution, the bookstore can earn a profit selling it.

However, to get that royalty amount, I would need to charge at least $20.80 (I used Amazon’s royalty calculator to narrow it to the nearest penny).  This is mostly because the book is that much bigger than my past books.  BUT… I’ve decided not to cross that $20 line; I’ve never seen traditional publishers charge more than that amount even for the most expensive of trade paperback books, so I won’t either.  Instead, I will keep it at the same cost as Book I, charging only $18.99 a copy.  I don’t exactly earn many royalties selling it at a price like this, but I’m still making a print edition made available for those of you who want one.  Just don’t complain about the price, please — I really can’t go much lower.

II.  Sales

In Forgery Divided had the strongest launch of any book I’ve released, at least in terms of day-one sales.  Sales have remained fairly steady (though there has been a surprisingly steep dive in sales so far, today).  Of course, a few good reviews can really help with that, so please review!

The most surprising thing, though, is that it really has lifted sales for my other books.  In Treachery Forged, book I of the series, hasn’t sold this well since May of 2014.

Even The Kitsune Stratagem (which has always disappointed me with its weak sales, even though I believe it’s my best written book to date) has posted more sales than it has since December 2014 (and may end the month even better).  I guess it proves the old adage correct — “Nothing sells Book I like Book II.”

The third bit of sales news is a peculiarity:  All of my sales have come through Amazon.  This is peculiar because it’s also available from Nook, iBooks, Kobo, Smashwords, etc.  In my past books, these stores haven’t been all that large of a percentage of my sales, but they were significant enough to be worth listing there.  So far, not a single sale on any of those has shown up.  I don’t know if this is because my past customers from those stores haven’t gotten the word, or if it’s because these ebook stores just aren’t selling anything, any more.  I’m strongly considering listing my next book with KDP-Select (the exclusive-to-Amazon program), just to test some of that program’s marketing tools I’ve sacrificed to keep my books available in wide release.

III.  Ravencon

As I mentioned earlier, I will be attending Ravencon from April 29th to May 1st.  As you might imagine, it’ll be a bit difficult for me to release a blog that weekend, but I’ll see if I can’t get something ready before I leave and set it to auto-release.  And, of course, I still should have a post for next week, as well.

IV.  Coming Plans

I’m not 100% sure which book, in my “to by written” list, will be next.  I hope to move straight into Book III of the Law of Swords series, but we’ll see.  I like the idea of it, but I was feeling a bit burnt out on things by the time I finished In Forgery Divided.

Hopefully enough time has gone by that I’ll be able to work on it again, but if I find myself staring at a blank page for weeks on end I’ll probably move to something else rather than just let my writing stagnate.  I also hope to eventually get The Merrimack Event out, but of course it still needs a round of editing and some cover art, as it has for over a year now.  My mother has offered to try her hand at the cover art (It sounds a bit lame to say “my mother made my cover art,” but she does have a resumé to suggest she can handle it.  She had collegiate training in artwork and design (had she not transferred to a different college to finish her degree, she would have earned a minor in it), and has continued her education in artwork all of her life.  Her career had included design for fashion in the past, and now uses her art background in her award-winning quilt designs.  I’m just not sure it all translates well to cover design), so we’ll see how that goes.

In the meantime, of course, I’ll be continuing this blog and working on… whatever I decide to work on.  See you all next week!

In Forgery Divided RELEASED!

Links are still coming in, but In Forgery Divided has been released through Amazon Kindle, Nook, Kobo, etc.!  Hurray!  (Please buy and review; reviews are extremely helpful)

I suppose, in a sense, this book made it by “deadline.”  It was uploaded on April 2nd (though the first live link didn’t appear until after midnight, so April 3rd).  In another sense, it’s well over a year overdue (I originally projected that I would have it out in January of 2015.  As I hadn’t even started writing by January of 2015, that was never going to happen).

Regardless, it’s out.  And I’m exhausted.  Tomorrow I’ll register the copyright (it IS protected under US copyright law, but until I register I can’t take legal action, and you must file within 30 days (or maybe it’s 60 days?  Something like that) for the full protection, but you aren’t supposed to file until after you’ve published.  Yeah, it’s stupid, but the Copyright Office is a bureaucracy, so what do you expect?), then start myself on the print edition.

Some Statistics:

This is my largest book, to day, running at over 165,000 words by Microsoft Word count.  While I don’t have an exact page count, yet, the print version will probably top four hundred pages long.

Writing the book took almost nine months.  My editor took four months for his pass.  My own review of his edits (which also was a self-editing second pass of edits) took three months.

Fun news:  The book somehow sold three copies on Amazon before I was able to find a live link.  Two of those sales, oddly enough, were in the U.K.  (I’m not certain it’s hit Amazon.au or Amazon.ca yet; those are #s 3 and 4, resepectively, for the sales of my other books).  The book went live first on Amazon, then on Kobo, then on Smashwords.  In fact, it’s gone live on Inktera — which is a little remarkable, as you have to go through a 3rd party (in this case, Draft2Digital) to get to them.  As of when I’m first typing this, it still hasn’t gone live on Nook — they’re the slowpokes, this go around.

Links for sale will be edited in below as I find they’ve gone live, or you can go to the Fennec Fox Press website (where I’ll also be posting links as they go live).

Purchase from:

Amazon

Smashwords

Nook (eventually, a day after everyone else)

Kobo

Apple iBooks

Inktera

DriveThruFiction

24Symbols

 

So, I’m Cleaning Up My Edits…

As I’ve mentioned the past couple of weeks, I’ve been cleaning up the edits for “In Forgery Divided” in preparation for its release (I’m still waiting on the cover art, as well. I was promised a copy of the pending-final-approval finished product “in a week” last Monday. Still 29 hours to go…). I’ve noticed a few things that should be mentioned (and those of you who follow me on Facebook might have seen a couple of these points before):

1. I’ve frequently heard “Your book will shrink by 20-30% as it’s edited.” When I edited book one (In Treachery Forged), this was largely true, but it hasn’t been true since. “The Kitsune Stratagem” increased in size, starting at just over 140,000 words and ending almost exactly 10,000 words larger. So far, about five chapters in, “In Forgery Divided” is keeping pretty darn close to the same number of words as it was in the first draft (despite a number of changes, the cuts and the additions seem to have balanced each other out). (I wish I could say what “The Merrimack Event” was doing, but I have yet to decide on an editor for it. In pre-editor self-edits, however, I did cut out about 30,000 words).

2. I’ve frequently heard “Those parts you struggled with the most when writing will be the best parts; the ones you thought were easy will wind up needing the most edits.” Again, this just hasn’t matched up with my experience. Through everything I’ve written, the things that I’ve had the easiest time with have had the fewest editorial comments (save some proofreading issues largely caused by my mild dyslexia; that doesn’t seem effected by the difficulty of the writing at all). The things I’ve struggled with the most in writing have had the most editorial comments. That pattern is (SO FAR) matching my experience with “In Forgery Divided” as well.

3. I didn’t really think of it as editing, but as I clean up the edits I recieve I’m doing a lot of editing myself. I’d say I’m more of a second-pass self-editor at this stage. I don’t just make the corrections my paid for (or bartered for, in this case) editor suggest; I read every word (well, more or less) and do my own editorial work. I don’t know if I do more edits than the paid for editor or not, but I do a lot of them.

4. I hate missing opportunities, but that can happen in the middle of a big project like this. When I was working to get “In Treachery Forged” released, I missed out on an opportunity to be part of a cross-promotional anthology because I was too busy. This time, an opportunity came up to volunteer as a beta reader for a bigger-named author — something which can really help a guy in the professional networking department. Unfortunately, I’m deep into the edits, and didn’t have time. I almost volunteered anyway, but by the time I figured out how I could handle it the author was full up.

5. Lots of people enjoy snow because it gives them time off. When you’re writing or editing, you get no time off; you lose time. You still have to work and you ALSO have to tire yourself (or injure yourself; pulled a muscle in my shovel arm) out shovelling on the same day. A blizzard can really kill your momentum.

I’m sure I’ll have more observations at some point. I may even get them into blog form, some day… but my blogs will continue to be a bit sparse until I finally get the book out.

Back-of-the-Book Blurb POLL! The Merrimack Event

(I had three unfinished blogs in progress this morning, and plans for at least three others, but nothing finished.   I’m not sure which of the other posts from that set I’ll finish for next Sunday’s blog, but I have options.  I keep hoping I’ll have more news on the progress I’ve made toward publishing my books for you guys, but I’ve heard nothing from any editors or cover artists this past week).

So, it took several weeks, but I did finally get enough votes (with enough of a vote differential) to come to a conclusion about the “In Forgery Divided” blurbs.  In THAT poll, I think Blurb B wins out, but the difference I’m going to consider making a few tweaks to it.

But now it’s time to get some interest in “The Merrimack Event,” so let’s try the same type of “Back of the book blurb poll” for that one! Pick whichever you like.  And feel free to comment if you want to.  (Please?)

(Edited to make the poll work.  I forgot to test it before posting, and goofed up somewhere.  Sorry about that!)

BLURB OPTION A:

While the Earth Alliance Naval Academy is having a once-every-four-years wargame on a distant frontier colony, a surprise attack from a foreign star wipes out most of the Navy.  A daring plan to respond is made using a fleet of recently mothballed ships crewed by Academy students.  These ships are old and out of date, and their crews are half-trained and inexperienced, but they do have one advantage:  One enterprising young engineer has figured out how to combine the old technology of his century-old corvette and the now-standard modern engines to produce the first of the Shieldclads.

BLURB OPTION B:

Freshman Cadet Lieutenant Chris Desaix entered the Earth Alliance Naval Academy merely looking to round out a promising education in Engineering, but after he wins a campus-wide tactical competition his instructors start trying to convince him to change his major.  But when the Earth Alliance Navy is devastated by a surprise attack, he must use both talents to help them strike back.

Edit:  The polling plug-in appears to be malfunctioning somehow (it seems to automatically close after about fifteen minutes, even though it claims it’s open and is set to never close).  Sigh.  And now spammers are hitting the comments hard.  Since those comments require my approval, you aren’t seeing them, but they’re coming in numbers great enough I’m disabling comments.  Contact me if you want me to re-enable them.

Bugfix: Which blurb do you prefer

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Status Report

With Thanksgiving (and a lot of chores), I didn’t quite finish everything I intended for the blog post I had planned for this week (the “Merrimack Event”‘s back-of-the-book blurb). In its place, I figured I would do a status report for all the things I’ve told you I was going to be doing.

First of all, I’ve applied to be a guest at a few conventions. I haven’t heard back from any of them, yet, but I haven’t been rejected yet, either. I’m hopeful.

In Forgery Divided is still with the editor and cover artist. I haven’t recieved any information from my cover artist recently, but my editor says he’s through most of it, but there were a couple “problem areas” he’s devoting more attention to. I’m as tired of these delays as I’m sure my readers are, but I can’t put it out without a cover or any editing.

Over the last week, I’ve started approaching some more potential cover artists to get estimates for “The Merrimack Event.” Haven’t heard back from any of them, yet, but that’s no surprise in this timeframe. I’ve identified four editors to try and vet, but I have yet to approach any of them.

The Back-of-the-Book Blurb for “The Merrimack Event” should be posted next week, but I’ve got new ideas going from there. I’ve been cleaning out my office desk as I prepare to move my new computer from it’s temporary set-up to its permanent home. Found some fun things I could take pictures of (maybe. I hate taking pictures of any kind) and talk about here on the blog, including badges for well over a dozen conventions I’ve attended in the past — all from 2009 or earlier. And I’ve started a fun little research project I may discuss here, as well, even though it’s research for a story I probably won’t be writing for years.

A belated Happy Thanksgiving. And I’m giving you guys even more thanks for reading this blog. (I might be even more thankful if a few of you commented now and then when I was asking you guys for comments, but I’ll take what I can get).

Back-of-the-book Blurb POLL! In Forgery Divided

If you don’t follow my Facebook feed, you probably haven’t heard that I’m buying a new computer.  Still not assembled, yet, but it’s replacing the old computer on which I’ve written or completed writing all of my books (published and not), so far.  I’ve still got my laptop, but until I get the new desktop up and running I’m somewhat limited in the things I can do.

This shouldn’t delay any of my books at all, but it might disrupt future blogs a bit.  Depends how much time I need to set up the new system.  This blog, though, was mostly ready to go, so here we go.

I hope at least some of the dozens of visitors I get each day are real people and not spambots, crawlers, and the like (not that my comments sections are any proof of that, and last weeks poll didn’t exactly get many votes; I’d like to see at least a few more readers involved).  If you are a real person, prove it just by voting in this poll.

I’m trying out some write-ups for the “Back of the Book” blurb for “In Forgery Divided.”  I’d like to see which, if either, of these blurbs you prefer.  Now, “blurb” means two things, in a  literary sense — one is the one-line quote you can get from a fellow author, professional reviewer, or celebrity promoting your book (these frequently appear on the front cover, though sometimes you’ll see a compilation of them on the back).  The other meaning is the text on the back of the book that ostensibly tells the reader what the book is about — or rather, it’s the sales pitch for the book by the author.  It usually runs about 100-150 words, split among 1-3 short paragraphs.

Now, all I really NEED you to do is vote, but it would be nice to have the occasional comment on this blog now and then, so if you want to explain your vote, comments are open.  (Note:  I do have to approve your initial post so as to keep the spambots off of here; if you’ve posted and I accidentally deleted your post thinking it was spam, please contact me either through twitter, Facebook, e-mail… heck, a telephone call would do, if you know my phone number, and I’ll try and make sure to re-enable your ability to post comments).

Keep in mind this has to entice people who are unaware of the content of this book, and hopefully even people who are unaware of the content of book one.

BLURB VERSION A (this has been the “temporary” interim version used on the website; however, some seem to think it contains too many spoilers):

Maelgyn may have proven himself to be a High Mage, but he’s only one man.  His wife is captured during a massive battle, his new King turns out to be an imposter, and the Dragons are entering the battle.  Despite all this, Maelgyn has to turn his attention to a rescue mission which pits him up against an even bigger threat:  The Elves.

BLURB VERSION B:

With the defeat of Paljor, Maelgyn proved himself the strongest Mage in the Human world, but there are more powerful things than Mages he has to worry about.  He returns home to find that his old enemies can still hurt him while new enemies threaten to tear his kingdom apart from the inside.  The Law of Swords is supposed to protect them from this sort of internal conflict, but it is actually helping his enemies.  And then there’s the Elves to deal with….

(Note:  Comments are temporarily disabled due to spammers, but the poll remains open.  Please prove that you are human by voting)

Which Blurb do you prefer for "In Forgery Divided"

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A (slightly inaccurate) Map for “In Treachery Forged”

First, a progress report:

I have begun searching for a cover artist and editor for “The Merrimack Event, since I can’t have the same people doing that as I have working on “In Forgery Divided” and expect either one to be done any time soon.

Speaking of “In Forgery Divided,” my cover artist has sent me some concept sketches and my editor is… still only about a quarter of the way through the book.  Sigh.  I’m also investigating some marketing opportunities for all of my books, but I hope I don’t go as overboard as in this article. (I know explaining a joke can ruin the humor, but thanks to Poe’s Law and some writers who might actually go close to that far, I think I should warn you that the linked-to article is satire).

Now, on to the actual point of this blog as referenced in the title…

Now, I know I can be a little boring, but you might find this article interesting.  It’s on JRR Tolkien’s maps and sketches for the Lord of the Rings.

A lot of sword and sorcery\high\epic\whatever-you-call-it fantasy novels are accompanied by maps that show the world the story takes place in. Tolkien’s world is famous for its maps; I have one of them poster-sized mounted on my library wall, in fact.

Well, “In Treachery Forged” isn’t all that different — it, too, has a map. But this map hasn’t been included in the books, and probably won’t, for a variety of reasons.

To start with, it’s in color.  When switched over to greyscale, some of the boundaries marked on it aren’t distinct enough.  Also, some of the handwriting is hard to read, at least when reduced in size for a paperback\eReader device.  Finally, the map was made long before the book was completed, and there are a few errors in it, most of them very minor.

But it’s around… and, since the second book in that series is currently in the “editing and design” phase, I figured I could post it here, mention what the flaws were, and see if anyone thinks I should get it fixed up for the book.  (Please, actually COMMENT if you are interested.  No, really — comment.  It isn’t that hard)  I’m posting it full size, which might be slow to load on some systems, so click on the “read more” link to see it.

Continue reading A (slightly inaccurate) Map for “In Treachery Forged”