This was supposed to be a post on my first Ravencon Panel, “Swords Not Required.” Those panel posts are going to be very long, however, and for various reasons this was a short week for me. So, I figured I’d explain some things I didn’t get around to in last weeks post.
I mentioned during most of my panels that I would have had another book (a sci-fi novel) out, but I had to reject the cover art a month ago and therefore it was delayed. That was… uh, not the full story (to put it mildly), but there was too much to discuss when just introducing myself. But I can expound on it here, without restriction.
While I did not ask the convention for a book launch space, back around January I was hoping to launch a book at Ravencon. That book was the long-delayed The Merrimack Event, which I’ve been talking about on this blog for years (literally). It is a novel that’s actually older than my first-released novel (In Treachery Forged) but has been in the self-publishing version of development hell since before I filed the DBA for Fennec Fox Press.
I approached an editor for it; I checked him out, found I liked his style, negotiated a price for his service, and… he disappeared before signing the contract we’d agreed to. Vanished off the internet, never responded to any more e-mails, etc. I hadn’t paid him, nor had he seen the full manuscript, so it’s not like he was stealing from me… he just, well, vanished.
I like having different editors and cover artists for each novel series; I’d not had the time to investigate new editors, and every cover artist I queried with this book in mind (just to see if they were available, not even yet mentioning the project) never gave me any reply at all.
But around January, things were looking up. It may have been piecemeal using beta readers, it may have been done in fits and starts, it may have partially been edited through a self-editing procedure I would normally never do because it was too labor intensive, but The Merrimack Event had reached a level of “edited” that I felt it was acceptable for release. There were some minor tweaks that still needed to be done before the book could be built, but those tweaks were the equivalent of running a last spellcheck and fixing a few minor inconsistencies brought about through all the various edits. The book could be released within days… if I could get cover art.
Then my budget was hit after I broke a tooth (or rather re-broke a tooth that had previously been repaired), and the money for the cover art went away. I could pull the money from somewhere else, but that would slow one of my other projects. However! I had an option. A professional artist was willing to do the cover for free (well, sort of; no money was to change hands, anyway). Book covers weren’t their usual medium, but I’ve had success using artists who didn’t specialize in covers in the past. So I said yes.
Unfortunately, come the start of April, their cover proposal showed up and was unacceptable. It wasn’t completely hopeless, but you could tell this wasn’t the artist’s usual medium. I tried working with the artist to maybe get it revised into something acceptable. While things were getting closer and closer, I could tell the artist was getting frustrated. I was struggling to get them to make the right changes (I am not an artist, myself; I have enough of an eye that I could see a problem, but I wasn’t sure how to explain that problem so that the artist would understand what I wanted). I was taking more and more of their time away from the art projects they usually did. Finally, I decided enough was enough; I pulled the plug and rejected the cover completely.
That’s not the end of the story, though. There was still a month before the convention. Both my mother (a professional quilt artist) AND my brother (who, for his first few years of college, studied mechanical design) decided they would make a go at trying to put something together; I might not have been able to get the print book out at that point, but if I could get an acceptable cover by the 25th I could submit the eBook and it would be for sale by the start of the convention. Both of the cover proposals I received from them had possibilities, but both would need work… just like the first cover option did. I didn’t want to go through all that again, so I just said “no” to both covers. I’ve re-established a budget. I’ll be hiring a professional cover artist… IF I can ever get one to reply to my e-mails, and then the book will (FINALLY) be out.
Incidentally, I had other observations from Ravencon which didn’t fit into last weeks recap:
- I had produced some swag, but most of the other authors had much more than me.
- I did not ask for any book signing or reading times (during which an author can sell their book), nor did I rent a table in author alley to sell my books from, but maybe I should have (though I might need to replace my phone to something that will allow the use of a credit card reader, first).
- I was a little worried that I didn’t have the ‘pedigree’ to be a guest, but there were a number of guests at Ravencon who had the same sort of writing portfolio I had.
- Apparently, the end of April is the wrong time of the year for me to go down to Williamsburg; I have a lot of family in the area, but none of them were able to see me while I was there due to scheduling conflicts. I like Ravencon, and plan to return, but maybe I should look into other conventions the area as well.
- I still need a name for my mascot fennec fox (stuffed animal). Fortunately, no-one asked me what his name was when I was wearing him on my badge lanyard all weekend.
And… well, that’s it. I’ll get that first “panel” page out next week, hopefully. Until then….