In Forgery Divided RELEASED!

Links are still coming in, but In Forgery Divided has been released through Amazon Kindle, Nook, Kobo, etc.!  Hurray!  (Please buy and review; reviews are extremely helpful)

I suppose, in a sense, this book made it by “deadline.”  It was uploaded on April 2nd (though the first live link didn’t appear until after midnight, so April 3rd).  In another sense, it’s well over a year overdue (I originally projected that I would have it out in January of 2015.  As I hadn’t even started writing by January of 2015, that was never going to happen).

Regardless, it’s out.  And I’m exhausted.  Tomorrow I’ll register the copyright (it IS protected under US copyright law, but until I register I can’t take legal action, and you must file within 30 days (or maybe it’s 60 days?  Something like that) for the full protection, but you aren’t supposed to file until after you’ve published.  Yeah, it’s stupid, but the Copyright Office is a bureaucracy, so what do you expect?), then start myself on the print edition.

Some Statistics:

This is my largest book, to day, running at over 165,000 words by Microsoft Word count.  While I don’t have an exact page count, yet, the print version will probably top four hundred pages long.

Writing the book took almost nine months.  My editor took four months for his pass.  My own review of his edits (which also was a self-editing second pass of edits) took three months.

Fun news:  The book somehow sold three copies on Amazon before I was able to find a live link.  Two of those sales, oddly enough, were in the U.K.  (I’m not certain it’s hit or yet; those are #s 3 and 4, resepectively, for the sales of my other books).  The book went live first on Amazon, then on Kobo, then on Smashwords.  In fact, it’s gone live on Inktera — which is a little remarkable, as you have to go through a 3rd party (in this case, Draft2Digital) to get to them.  As of when I’m first typing this, it still hasn’t gone live on Nook — they’re the slowpokes, this go around.

Links for sale will be edited in below as I find they’ve gone live, or you can go to the Fennec Fox Press website (where I’ll also be posting links as they go live).

Purchase from:



Nook (eventually, a day after everyone else)


Apple iBooks





NOT An Official Release Date For In Forgery Divided

Well, I’m just about finished getting “In Forgery Divided” ready for release. It’s close enough I’m TEMPTED to set the release date as April 2nd, but, well, I’m really very terrible at setting schedules.  I always run late, and it always seems as if I’ll NEVER finish.

There are things that might delay me, however, like… oh… allergy season (I never used to be bothered by allergies, while everyone else in my family has had severe issues.  The last few years, however, I’ve started developing them, and they seem to hit me worse than they do any of my relatives.  Although possibly that’s just because they’re more used to dealing with them).  I’ve already lost several hours of work the past few days because my allergies were making it impossible to read off of a computer screen.

But… well, it might be out as early as April 2nd.  (It will NOT be April 1st, even if it’s ready in time; I don’t want to have people mistake the release for an April Fools gag)  And if it does run past that date, it won’t be much longer.

Edit:  Comments closed due to spammers.  (I’ve had to close more posts because of spammers than I’ve gotten real comments.  Geez)

The Fennec Fox Press Mailing List

Back when I first published “In Treachery Forged,” I — like all of the self-publishing gurus suggested in their marketing advice — set up a mailing list. That list still exists, but I haven’t posted anything to it in over a year and a half.

At the time I created the mailing list, I envisioned having a quarterly newsletter that would give people news on upcoming releases, the occasional Smashwords coupon, and maybe other things as well, and between newsletters it would be the first place you could see cover reveals and learn of new releases.

Unfortunately, the long delay between the release of “The Kitsune Stratagem” and today, when I’m a couple weeks from releasing “In Forgery Divided,” kind of killed that plan.  After all, how many times can you apologize for a delay before it starts to sound like you’re just making excuses?

So… there’s not been a post to the mailing list since then.  There are only about two dozen members (fewer, actually, checking the reported numbers), but I still feel horrible about leaving the mailing list hanging for so long.

Well, now that “In Forgery Divided” is about to be released, I am going to revive that mailing list… and this time, even if I don’t have anything to say other than that my next book isn’t ready yet, I’ll try to keep the quarterly reports coming.

The Fennec Fox Press Newsletter (#3) will be resurrected this Saturday, February 19th.  While I don’t expect there to be any news that you haven’t heard here in this newsletter, please feel free to sign up for future new releases.  From now on, cover reveals (at the very least) will be made over the mailing list first.

The Cover Art is In!

I originally was hoping to get this all the way back in October… but then again, I wasn’t ready for it back in October, anyway. I’m very close to finishing the edits, and I’ll need to tinker with this image a touch (it needs to be cropped slightly — you won’t even notice, as all I’m doing is removing the bleed edges that are built in for the print edition — to adjust the proportions for the e-Book cover. I also need to put in the title, my name as author, etc.), but here it is!  The cover for Book 2 of the Law of Swords series, “In Forgery Divided”:


Many thanks to Alex Kolesar of No Need for Bushido!

And I Still Don’t Have That Cover Art Yet…

Okay, so I’ve got a series of posts which will go out as my cover art is finished, and still more ongoing blog post series that I intend to start\resume once “In Forgery Divided” is published.

But I’m struggling to come up with things to write allowing me to keep this blog active from one week to the next. I’d hate to start these series (or RE-start them) just to have to set them aside one week later for the “In Forgery Divided” push.  And I’ve already missed my regular Sunday blog twice in the last three weeks, so I don’t want to just skip it again.

So, I’m going to make a desperate plea (desperate because, while I know there are some people who actually read this blog, none of them ever comment here) for people to put in there suggestions for a Sunday Blog topic you want covered. If I actually get any, and if the cover is delayed for ANOTHER week, I’ll try and use them.

Administrative note:  Comments using the acronym “SEO” are banned.  Why?  Because, even though the people who actually READ this blog rarely seem to comment, I still have a ton of spam comments I have to deal with.  I was starting to get close to five spam comments a day on “SEO optimization” and whatnot.  Ugh.  If you DO legitimately want to talk about Search-Engine Optimization, contact me by Twitter or Facebook and I’ll consider it.

Tragic, Epic, and Heroic Commercials

So… that cover art that I was promised would be done two weeks ago still has not been completed yet (I’ve gotten two drafts in the past two weeks, both further along in completion than the previous week, but nothing final yet. Until it’s final, I’m not paying for it, and until I pay for it, I can’t post any of the cover drafts here). And I’m still working my way through the clean-up of the edits; that’ll probably take me another couple weeks.

I missed adding a blog last week (actually, I wrote about 75% of this post last week, but then forgot to finish and post it), and I don’t think it would be a good idea to miss two Sunday Blogs in a row during a period I should be trying to ramp up interest in my upcoming novel, so I’ve got to figure out something to add as a filler.

Well, I’ve got an idea inspired by the buzz over “Superbowl Commercials.” Now, I wish I’d remembered to finish this post and get it out there last week, when it would have been more timely, but it isn’t really about the Super Bowl. It’s about commercials.  In fact, I’m pretty sure that none of these ads aired during any Superbowl, ever.  Specifically, I was looking for good commercials which, in just a minute or two, maybe without even a single spoken word, were stories that fit the elements of an Aristotilian tragedy, a classical epic, and\or a heroes journey.


Let’s start with the Aristotilian Tragedy of these examples.  (And I’m using this link because that’s what came up in the Google search;  I could cite print books for all of these literary forms, but I couldn’t link to them).  As the link says, these tragedies include:  Plot, Character, Thought, Diction, and Spectacle.  Oh, yes, and a musical number.  And it ends with a catharsis.  Only the first two (plot and character) are truly required, but let’s see how many of them this commercial can get into its one minute and two seconds of length.


Plot:  It’s a fairly simple plot, but any sporting event has plots and subplot.  This may be only the last few seconds of one such sporting event, but you’ve effectively got all the details you need for the game there — it’s clearly a special game (homecoming, most likely, though maybe a playoff game), but the home team heroes lose to the visiting team (cast as the villains in the piece, sort of) in the last second.  The strange thing about this “plot” is that it’s complete in the first thirty-five seconds of the minute long commercial; the rest is denouement.

Character:  Lots of characters in this one.  You’ve got the home team hero, holding the ball.  You’ve got the “villain” who steals it.  You’ve got the coach, who recognizes what is going to happen only too late.  The cheerleaders, who are watching in shock.  There’s certainly no lack of characters.

Thought:  In this case, ‘thought’ refers more to theme than anything.  And the theme is one of loss.  Yes, it’s just the loss of a basketball game, but that’s still a loss.

Diction:  Okay, I gotta admit, there isn’t a single word written or spoken in the whole thing, which makes anything you could call ‘diction’ (the “expression of the meaning of the words”) hard to find.  I don’t think that should disqualify it as a tragedy, though.

Spectacle:  The spectacle, in Aristotilian tragedy, is the part least related to literature.   In essence, it refers to the special effects, the props, the staging, etc.  Now, everything about this whole ad is spectacle — the slow motion, the dark lighting, that spinning tiger’s head… it’s all spectacle.  But, in this case, it’s the spectacle that makes all the previous elements work.

Music:  There is no spoken word, no “chorus” as Aristotle would think of it… but the music that plays throughout this commercial just sets the mood.  Lacrimosa, from Mozart’s Requiem (a song for the dead), is appropriately mournful, and the spectacle and the theme (or thought) are perfectly set up by this music.

Catharsis:  And here is where it uses the elements of a tragedy to be a good ad.  I’m not even sure the advertisers thought of it this way, but at the end of this tragedy, the “Catharsis,” the way to purge yourself of the tragic emotions that this commercial evokes, is to buy the shoe they’re trying to sell.  And all they need to do this is to show you an easily-recognized logo, and suddenly you know.


Now, ‘epic’ is a word that has come to mean a lot of things.  To be clear, I’m referring to whether or not a single commercial can fit the classical epic tradition.  The form of “epic” your High School English teacher used to refer to works such as Gilgamesh, Homer’s Oddysey, Beowulf, and the like.   Huge works, typically, that included specific elements:  A hero, who does great deeds, across a vast setting, highly stylized, with an element of divine intervention, ending with a heroes reward.

I had an English teacher who delighted in pointing out how the Princess Bride espoused all of these — a relatively short comedy, which you wouldn’t normally think of as an epic at all — but even that is massive compared to the one minute twenty second ad below:

The young boy in this commercial is our Hero.  You might say he’s on a quest to woo the maiden fair, or you might just say he’s a little preteen kid, but he is certainly — from a literary perspective — the hero of this piece.

Again, there’s not a single spoken word (beyond the name “Lily”), lending to a very stylized form of storytelling.  Arguably, this is a story which would have had a lot less impact if it had used words… (especially since this ad was for a European supermarket chain, and the language isn’t one I’m familiar with).

Now, let’s get this out of the way now:  You might consider this too “small” in scope and setting to be an epic.  After all, it’s really just two houses across the street from one another, with a brief scene in a department store.  But scope is relative; for a character like our Hero, someone who is still into making bed forts and the like, ‘across the street’ might as well be ‘across the galaxy.’  But what about the other elements of an epic?

Does he do great deeds in his quest?  Well, yes — he completes the snowmen for the girl he’s crushing on.  With remarkable likenesses.  In one night.  Sneaking past his overprotective (as seen by the father covering up his eyes) parents’ guard to do so.  Considering the scope of the characters, that was a tremendous deed.

But our Hero is still struggling to find a way to ask the girl out.  Obviously, he settles on a note… but how to deliver it?  He considers several options, but he either can’t find the courage or the technique he needs to give it to the girl face to face.  And there is where the divine intervention comes in… in the form of a Han Solo doll:  Searching for inspiration, he sees his little Han Solo doll pointing in the direction of his Stormtrooper helmet… and suddenly he knows just what to do.

And in the end, he is rewarded by the girl coming over (in Leia costume, accompanied by a Chewbacca-dog) for Christmas dinner, gift in hand.

Brings tears to my eyes… (literally, the first time I saw it).

The Heroes Journey

Many years ago, Joseph Campbell wrote the definitive work describing the Heroes Journey.  Now, I would recommend reading the whole book, but a simple summary of what he’s talking about can be found here:  It starts in a relatively ordinary world, but the hero recieves a call to adventure.  First he refuses, but then finds a mentor who guides him into the journey ahead.  He crosses the first threshold, finds allies and enemies, has setbacks, crosses a major hurdle, and then gets a reward.  After being rewarded, he starts on a journey back to his ordinary life, wherin he must use everything he has learned, and those things help him apply that knowledge to his once-again ordinary life.

That’s twelve steps; in a two minute commercial (far longer than most commercials in the US, but the example I’m giving was aired in South Africa), that just leaves you just ten seconds for each element.  Not possible, you say?  Well…

(incidentally, his may very well be my favorite of these three ads)

Let’s see:  We have a hero who has an ordinary life, who has made a living for himself without ever learning how to read.  It can be assumed that at some point, he decided to ‘refuse the call to adventure’ that is learning how to read, but there is this mysterious man in a poster who encourages him to learn how — his “mentor.”

He crosses the first threshold at the very start of this commercial, buying some books on how to read.  He finds allies in his teacher, his wife, the shopkeeper at the fishmarket, his buddies at the cafe that he plays Scrabble against, etc.  He has setbacks  (spelling cat “kat”), but he crosses a major hurdle (getting the “gold star”) and completes his adult literacy class (the reward).  He starts his journey back to an ordinary life by opening the book his “mentor” had written, using his newfound literacy to read it… before finally meeting with said mentor, who turns out to be his son, who you can tell is just so impressed that his father would learn how to read just to read his book that he has to celebrate… and in a way that the ordinary man would appreciate:  With a Bell’s Scotch Whiskey.

Another ad that brought tears to my eyes…


Are you readers of this blog following what I’m doing here?  These are great commercials not necessarily because they sell the product (two of the products — Kaufman’s grocery store and Bell’s Scotch — aren’t even available in my country; the third, a type of shoe, is for a variety of shoe I don’t need) but because they really are stories, accomplishing in just one or two minutes what the greats of literature needed prolonged stories to tell.

You could sum it up as “size doesn’t matter when it comes to story,” but I’m not really trying to put a moral on this.  I’m just celebrating great storytelling.  And these ads tell great stories.

It’s such a shame that most advertisers these days think the likes of “puppymonkeybaby” (no video or link added because I don’t want to have to watch it again to find it) are great ads.  After all, they think, everyone’s talking about it (in horror and disgust, but who cares about that?), so it must be good.  Who cares about great storytelling when you’re the talk of the Superbowl?


Edit:  Comments closed due to spammers.

So, I’m Cleaning Up My Edits…

As I’ve mentioned the past couple of weeks, I’ve been cleaning up the edits for “In Forgery Divided” in preparation for its release (I’m still waiting on the cover art, as well. I was promised a copy of the pending-final-approval finished product “in a week” last Monday. Still 29 hours to go…). I’ve noticed a few things that should be mentioned (and those of you who follow me on Facebook might have seen a couple of these points before):

1. I’ve frequently heard “Your book will shrink by 20-30% as it’s edited.” When I edited book one (In Treachery Forged), this was largely true, but it hasn’t been true since. “The Kitsune Stratagem” increased in size, starting at just over 140,000 words and ending almost exactly 10,000 words larger. So far, about five chapters in, “In Forgery Divided” is keeping pretty darn close to the same number of words as it was in the first draft (despite a number of changes, the cuts and the additions seem to have balanced each other out). (I wish I could say what “The Merrimack Event” was doing, but I have yet to decide on an editor for it. In pre-editor self-edits, however, I did cut out about 30,000 words).

2. I’ve frequently heard “Those parts you struggled with the most when writing will be the best parts; the ones you thought were easy will wind up needing the most edits.” Again, this just hasn’t matched up with my experience. Through everything I’ve written, the things that I’ve had the easiest time with have had the fewest editorial comments (save some proofreading issues largely caused by my mild dyslexia; that doesn’t seem effected by the difficulty of the writing at all). The things I’ve struggled with the most in writing have had the most editorial comments. That pattern is (SO FAR) matching my experience with “In Forgery Divided” as well.

3. I didn’t really think of it as editing, but as I clean up the edits I recieve I’m doing a lot of editing myself. I’d say I’m more of a second-pass self-editor at this stage. I don’t just make the corrections my paid for (or bartered for, in this case) editor suggest; I read every word (well, more or less) and do my own editorial work. I don’t know if I do more edits than the paid for editor or not, but I do a lot of them.

4. I hate missing opportunities, but that can happen in the middle of a big project like this. When I was working to get “In Treachery Forged” released, I missed out on an opportunity to be part of a cross-promotional anthology because I was too busy. This time, an opportunity came up to volunteer as a beta reader for a bigger-named author — something which can really help a guy in the professional networking department. Unfortunately, I’m deep into the edits, and didn’t have time. I almost volunteered anyway, but by the time I figured out how I could handle it the author was full up.

5. Lots of people enjoy snow because it gives them time off. When you’re writing or editing, you get no time off; you lose time. You still have to work and you ALSO have to tire yourself (or injure yourself; pulled a muscle in my shovel arm) out shovelling on the same day. A blizzard can really kill your momentum.

I’m sure I’ll have more observations at some point. I may even get them into blog form, some day… but my blogs will continue to be a bit sparse until I finally get the book out.

So, That Post Still Isn’t Quite Done…

So, that post I told you about last week, the one I’ve been working on for weeks? Yeah, that still isn’t done. Sorry about that. I’d like to think you’ll forgive me when you hear the reason why:

The edits for “In Forgery Divided” have come in.

Now, the cover art isn’t done (though it’s getting there; I honestly was expecting to be able to give you news on that front, first), and I still need to go through these edits myself, but this is Big News. Editing is the most time-consuming part of the post-writing process. That phase is mostly complete, now (I say mostly because I still have to make my own final review, run a final spellcheck, etc.), and if the cover art is really as close as I think I may be able to get the book out, at least as a pre-order, in a couple weeks.

But don’t be surprised if I still haven’t finished that blog post by next week, either — I’m going to be busy working on the “In Forgery Divided” manuscript.

No Weekly Blog Post.

Obviously, I haven’t got a real post to post this Sunday.  I’ve been working on one for the last three weeks and it isn’t finished yet, and I don’t have any substitutes ready to go.  I’ll try to get SOMETHING up next week, even if it isn’t my planned post.